Think Again Podcast #48 - Mary-Louise Parker – Virtual Empathy?/Lessons Relearned
Tony, Emmy, and Golden-Globe award winning actress and author Mary-Louise Parker on Think Again - a Big Think Podcast, discussing parenthood, Bob Marley, and the limits of empathy.
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She’s won many awards -- Tony, Obie, Golden Globe, Emmy -- for her roles in the Showtime series Weeds, the TV miniseries of Angels in America, and the play Proof, among other things. Unbeknownst to many people until now, she’s also a seriously talented writer. Her first book, Dear Mr. You, is a series of letters to men, real and hypothetical, living and dead, who have had a meaningful impact on her life.
Surprise interview clips from Henry Rollins and Ralph Rivera set Mary-Louise and host Jason Gots
About Think Again - A Big Think Podcast: You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel? Why not gambling? The Art of War? Contemporary parenting? Some of the best conversations happen when we're pushed outside of our comfort zones. Each week on Think Again, we surprise smart people you may have heard of with short clips from Big Think's interview archives on every imaginable subject. These conversations could, and do, go anywhere.
When you’re a Hasidic woman in Borough Park, Brooklyn, starting an ambulance corps is a radical act. Documentary filmmaker Paula Eiselt on the push-pull of identity and cultural change in her film 93Queen.
When I started college at New York University in 1990, nobody lived in Brooklyn. Brooklyn was the dark side of the moon. At least that's how we NYU students thought about it. Lots of people lived in Brooklyn, of course. Just not us. It's 2018, and Brooklyn has become an international brand, synonymous with artisanal pickles, gastropubs, and luxury condos. It's the place even former NYU students can't afford to live anymore.
On hallucinating a teensy Virgin Mary in a water fountain, our weird relationship to fame, her stint as an elf-hunting camp counselor, and more in what feels like a 4 am college conversation with the inimitable Parker Posey.
The impulse to make art is with us from childhood. It's the desire to play. To say “hey! Look what I made!" It's the wild fun of making a big mess that's nobody else's but your own—and not having to clean it up. Above all else, art is wild. It's independent. It's free. And that's one reason why the art industry is a very weird thing. In order to make money “at scale" as the Silicon Valley kids like to say, movie studios, fancy galleries, and concert promoters have to quantify, systematize, and package that sense of freedom. If it sounds like a paradox, that's because it is. I'm just gonna say it: the more money at stake, the less breathing space for everything that draws us to art in the first place.
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The other day I was at a kid's birthday party and a fellow dad was joking that “When we were kids, it was all 'bang-bang-bang!' and now it's all 'pew-pew-pew!'"He was talking about video games and lasers as opposed to, I'm guessing, cowboys? Actually, as I remember childhood, it was all “wowm…wowm!" The sound of lightsabers. I was 5 years old when Star Wars: A New Hope came out, and like everyone who grew up back then, I had sci-fi seeping into my very pores. Alien civilizations. Cyborg killers. The dark, unfeeling menace of advanced technology…
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