Know Your White Rabbit

“Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little," said Agnes de Mille, the great American choreographer.  "The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.”


Yet oftentimes we find a way to compensate by journeying into the dark with a crutch. When facing down a blank screen, a looming deadline, a vacillating client, a creative person will likely turn to something for support. I’m not talking about coffee or other performance enhancers, or a team of interns. The crutch is the thing that jump-starts the creative process, ushers one through the entry-point of excitement.

We often get into trouble when we forget to remove it from the final product. It may have helped us brainstorm and kept us company in the dark. But to the audience that will consume the work, the crutch sticks out, an unnecessary distraction.  Don’t forget to thank your crutch and put it away. You may never see it again, and that's the point.

How do you identify the crutch in your work? It’s the noisy thing that’s giving you the most trouble in the editing process, and raising questions again and again from those tasked with reviewing your work. It's the "quietest parts" of our stories--the elements that don't receive extensive feedback from others--that we should listen to and eventually let lead us. If that doesn't work, the final warning sign is the number of head-banged-against-the-wall attempts to make the crutch fit with the vital whole. The whole is healthy, and doesn’t need the crutch; take it away.

Last night, I discussed the topic of a crutch outlasting its purpose with an accomplished illustrator working on a graphic novel. He’s having a rough time getting his latest project off the ground and ran the story by me. Right away I could tell which elements of the story were there for me—the audience—and which were there for him, keeping him company in the dark as he worked. I told him to cut the meandering overcomplicated bits, streamline his story, and kill off what is not essential yet fun, to him.  

The novelist Zadie Smith gave a now famous lecture at Columbia University about her process for writing novels that includes advice on this same issue. She calls “the crutch” scaffolding. (One could even call it following the White Rabbit—it’s the adventures and singing flowers and mad Red Queen that make the story; the White Rabbit just gets us there. (As much as we love the White Rabbit, Alice's story would be the same if she simply fell down a rabbit hole. (Yes, I know the White Rabbit is awesome, but thinking about him is my crutch for remembering not to take my crutches so seriously and to eventually remove them from my work. (Well then, shall we continue?)))) Here is Smith’s brilliant plea to remove the scaffolding/crutch/White Rabbit from your work, once it's no longer needed:

When building a novel you will use a lot of scaffolding. Some of this is necessary to hold the thing up, but most isn’t. The majority of it is only there to make you feel secure, and in fact the building will stand without it. Each time I’ve written a long piece of fiction I’ve felt the need for an enormous amount of scaffolding. With me, scaffolding comes in many forms. The only way to write this novel is to divide it into three sections of ten chapters each. Or five sections of seven chapters. Or the answer is to read the Old Testament and model each chapter on the books of the prophets. Or the divisions of the Bhagavad Gita. Or the Psalms. Or Ulysses. Or the songs of Public Enemy. Or the films of Grace Kelly. Or the Four Horsemen of the Apocalypse. Or the liner notes to The White Album. Or the 27 speeches Donald Rumsfeld gave to the press corps during his tenure.

Scaffolding holds up confidence when you have none, reduces the despair, creates a goal—however artificial—an end point. Use it to divide what seems like an endless, unmarked journey, though by doing this, like Zeno, you infinitely extend the distance you need to go.

Later, when the book is printed and old and dog-eared, it occurs to me that I really didn’t need any of that scaffolding. The book would have been far better off without it. But when I was putting it up, it felt vital, and once it was there, I’d worked so hard to get it there I was loath to take it down. If you are writing a novel at the moment and putting up scaffolding, well, I hope it helps you, but don’t forget to dismantle it later. Or if you’re determined to leave it out there for all to see, at least hang a nice façade over it, as the Romans do when they fix up their palazzi.

Image Credit: SammyDavisDog/Flickr

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A map of America’s most famous – and infamous

The 'People Map of the United States' zooms in on America's obsession with celebrity

Image: The Pudding
Strange Maps
  • Replace city names with those of their most famous residents
  • And you get a peculiar map of America's obsession with celebrity
  • If you seek fame, become an actor, musician or athlete rather than a politician, entrepreneur or scientist

Chicagoland is Obamaland

Image: The Pudding

Chicagoland's celebrity constellation: dominated by Barack, but with plenty of room for the Belushis, Brandos and Capones of this world.

Seen from among the satellites, this map of the United States is populated by a remarkably diverse bunch of athletes, entertainers, entrepreneurs and other persons of repute (and disrepute).

The multitalented Dwayne Johnson, boxing legend Muhammad Ali and Apple co-founder Steve Jobs dominate the West Coast. Right down the middle, we find actors Chris Pratt and Jason Momoa, singer Elvis Presley and basketball player Shaquille O'Neal. The East Coast crew include wrestler John Cena, whistle-blower Edward Snowden, mass murderer Ted Bundy… and Dwayne Johnson, again.

The Rock pops up in both Hayward, CA and Southwest Ranches, FL, but he's not the only one to appear twice on the map. Wild West legend Wyatt Earp makes an appearance in both Deadwood, SD and Dodge City, KS.

How is that? This 'People's Map of the United States' replaces the names of cities with those of "their most Wikipedia'ed resident: people born in, lived in, or connected to a place."

‘Cincinnati, Birthplace of Charles Manson'

Image: The Pudding

Keys to the city, or lock 'em up and throw away the key? A city's most famous sons and daughters of a city aren't always the most favoured ones.

That definition allows people to appear in more than one locality. Dwayne Johnson was born in Hayward, has one of his houses in Southwest Ranches, and is famous enough to be the 'most Wikipedia'ed resident' for both localities.

Wyatt Earp was born in Monmouth, IL, but his reputation is closely associated with both Deadwood and Dodge City – although he's most famous for the Gunfight at the O.K. Corral, which took place in Tombstone, AZ. And yes, if you zoom in on that town in southern Arizona, there's Mr Earp again.

The data for this map was collected via the Wikipedia API (application programming interface) from the English-language Wikipedia for the period from July 2015 to May 2019.

The thousands of 'Notable People' sections in Wikipedia entries for cities and other places in the U.S. were scrubbed for the person with the most pageviews. No distinction was made between places of birth, residence or death. As the developers note, "people can 'be from' multiple places".

Pageviews are an impartial indicator of interest – it doesn't matter whether your claim to fame is horrific or honorific. As a result, this map provides a non-judgmental overview of America's obsession with celebrity.

Royals and (other) mortals

Image: The Pudding

There's also a UK version of the People Map – filled with last names like Neeson, Sheeran, Darwin and Churchill – and a few first names of monarchs.

Celebrity, it is often argued, is our age's version of the Greek pantheon, populated by dozens of major gods and thousands of minor ones, each an example of behaviours to emulate or avoid. This constellation of stars, famous and infamous, is more than a map of names. It's a window into America's soul.

But don't let that put you off. Zooming in on the map is entertaining enough: celebrities floating around in the ether are suddenly tied down to a pedestrian level, and to real geography. And it's fun to see the famous and the infamous rub shoulders, as it were.

Barack Obama owns Chicago, but the suburbs to the west of the city are dotted with a panoply of personalities, ranging from the criminal (Al Capone, Cicero) and the musical (John Prine, Maywood) to figures literary (Jonathan Franzen, Western Springs) and painterly (Ivan Albright, Warrenville), actorial (Harrison Ford, Park Ridge) and political (Eugene V. Debs, Elmhurst).

Freaks and angels

Image: Dorothy

The People Map of the U.S. was inspired by the U.S.A. Song Map, substituting song titles for place names.

It would be interesting to compare 'the most Wikipedia'ed' sons and daughters of America's cities with the ones advertised at the city limits. When you're entering Aberdeen, WA, a sign invites you to 'come as you are', in homage to its most famous son, Kurt Cobain. It's a safe bet that Indian Hill, OH will make sure you know Neil Armstrong, first man on the moon, was one of theirs. But it's highly unlikely that Cincinnati, a bit further south, will make any noise about Charles Manson, local boy done bad.

Inevitably, the map also reveals some bitterly ironic neighbours, such as Ishi, the last of the Yahi tribe, captured near Oroville, CA. He died in 1916 as "the last wild Indian in North America". The most 'pageviewed' resident of nearby Colusa, CA is Byron de la Beckwith, Jr., the white supremacist convicted for the murder of Civil Rights activist Medgar Evers.

As a sampling of America's interests, this map teaches that those aiming for fame would do better to become actors, musicians or athletes rather than politicians, entrepreneurs or scientists. But also that celebrity is not limited to the big city lights of LA or New York. Even in deepest Dakota or flattest Kansas, the footlights of fame will find you. Whether that's good or bad? The pageviews don't judge...

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