You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Terry Gilliam - The impossible dream
The film becomes the story of the making of the film. From his Monty Python days to now, Don Quixote is a metaphor for Terry Gilliam's whole career, and for his 30 year project of making a film about a film about the knight of the woeful countenance. We talk about Muppets, time, and basically everything else two humans can talk about.
- An American barbarian in Monty Python
- Chaos Muppets vs. Order Muppets (and which one Terry Gilliam is)
- Artistic ego: avoiding the fate of Icarus, Job, etc.
Faith in anything is its own special form of madness. It's a challenge to entropy, and entropy takes no challenge lightly. If there's any better metaphor for this struggle than trying to make a big budget movie with even a shred of integrity, I haven't found it.
On the one hand, you've got this impossible dream. This faith in the beautiful thing that's supposed to emerge at at the end of the process. On the other hand, the process is a hellish sausage-making machine of studio bosses, financing, and acts of god like four days of flash flooding in the middle of your big shoot. You might as well be Don Quixote, doing battle with a windmill.
What kind of masochist would put themselves through that?
My guest today, Terry Gilliam, is that very masochist. And we should be grateful, because his stomach for the fight has given us movies like THE FISHER KING, BRAZIL, 12 MONKEYS and MONTY PYTHON's THE LIFE OF BRIAN. And now, almost 30 years after his first, biblically disastrous attempt to make it, THE MAN WHO KILLED DON QUIXOTE. Starring Adam Driver and Jonathan Pryce, the movie is as funny, thrilling, and unpretentiously deep as the best of Gilliam's work. It's also kind of like one of those Russian matryoshka dolls: a film inside a film inside a film, all of them metaphors for the holy folly of believing in anything at all.
The Man Who Killed Don Quixote is out April 19th in select theaters and on demand video.
Surprise conversation starters in this episode:
Killer robots. Alien invasions. Climate change. Josh Clark of Stuff You Should Know and the new podcast The End of the World thinks a lot these days about existential threats. Believe it or not, he's optimistic.
- Could the threat of extinction be humanity's opportunity to get our collective s#*t together?
- Two centuries since the Enlightenment, the war between reason and belief is still raging. Why?
- Why is it still hard to explain to some people what a podcast is?
- Why hasn't technology given us more freedom?
- Why is eternal life not desirable?
- Why don't Universal Basic Income and other forms of redistribution solve the underlying problem?
In the 1980's, Northeast Portland was a black neighborhood hustling to survive. Today, it's full of pilates studios and handlebar moustaches. As a writer, professor, and former inmate, Mitchell S. Jackson has lived in and learned from both worlds. In SURVIVAL MATH, he puts the pieces together.
- An open letter to Markus, the first black American to live—and immediately die—on Oregon soil.
- "Nobody gets a pass. And everybody gets a pass. If you take a broad look at anyone's circumstances, it's hard to convict them of just being a terrible person."
- "Portland's a utopia now…but I wonder if they know what it cost?"
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