You've got 10 minutes with Einstein. What do you talk about? Black holes? Time travel?
Why not gambling? The Art of War? Contemporary parenting?
Each week, host Jason Gots surprises some of the world's brightest minds with ideas they're not at all prepared to discuss. Join us and special guests Neil Gaiman, Alan Alda, Salman Rushdie, Margaret Atwood, Richard Dawkins, Maria Popova, Mary-Louise Parker, Neil deGrasse Tyson and many more...
Lisa Brennan-Jobs on growing up without, with, and in spite of her dad
How do you write away the personal hole in your heart when that hole was left by a man half the world idolizes? Steve Jobs' daughter, the writer Lisa Brennan-Jobs, on the process and effects of writing her beautiful memoir SMALL FRY.
- "If I hadn't gone back with a fine-toothed-comb, a lot of these assumptions I had would have just been the air I breathed into my future."
- "There is something like theft in a memoir. If you want to write about yourself you have to write about other people who are unwitting and don't want to be written about…"
The first computer I ever had was the first Apple Macintosh, back in the mid 80's. I can still remember the sense of friendly reassurance from that smiling little icon that popped up on the screen when you turned it on—a cute, tiny computer smiling back at you. This device, it suggested, knew you. Understood you. Was someone you could trust.
Since then, we've come a long way, baby. The cold, black, addictive rectangle in my pocket—a gleaming window into all the hopes and terrors of the known world—is a far cry from the early, friendly promises of that smiling machine on which I could magically paint things at the touch of a button.
My guest today, in a very different way, grew up in the long shadow of that same cultural trajectory. Steve Jobs, the founder of Apple, was her dad. But like our relationship with the machines he helped unleash on the world, hers with him was deeply complicated. In her beautiful memoir Small Fry, Lisa Brennan-Jobs writes about his indifference, his attention, and her struggle to find herself in and outside of his shadow.
Surprise conversation starters in this episode: None, due to limited taping time.
"We live in an age in which there is too much excessive information, less knowledge, and very, very little wisdom." Elif Shafak has faced trial and investigation in her native Turkey for giving voice to the voiceless in her novels. We talk about her book THREE DAUGHTERS OF EVE and the fight for nuance in a world of binaries.
- "To say that there are two stories to the same issue…doesn't mean [they] have the same power. Sometimes one of those stories will be the story that no one hears….that is suppressed and erased and forgotten and pushed to the margins."
- "I think faith is way too important to leave it to the religious. Just like politics is way too important to leave it to career politicians. And I've started to believe that technology is way too important to leave it to tech companies and monopolies."
After four years and just over 200 conversations for this podcast, I'm feeling the need for a new kind of politics. One that would champion uncertainty, fragility, emotional vulnerability against the tyranny of opinions that push us one way or another. I used to think that art was sufficient for this purpose. After all, it was books like J.D. Salinger's Franny and Zooey or Dostoevsky's The Brothers Karamazov, bands like the Smiths and the Velvet Underground that gave a much younger me courage to embrace ambiguity as a great teacher.
Art's an open door, but you have to walk through it. And it's the politics and culture around you that shape your ability to do so. We're hurting and hungry for connection. Sick of misunderstanding and violence. I think this is true all over the world. I think it runs so deep it's like an underground river, one whose presence we can only guess at from the contours of the surface earth.
I'm very happy to be talking today with Turkish-born global citizen, novelist and activist Elif Shafak. She's the author of HONOR, THE FLEA PALACE, and THREE DAUGHTERS OF EVE, among many other books. In her writing and public speaking, she's one of the most eloquent voices I know of this new politics that doesn't fit easily on any flag.
Surprise conversation starters in this episode:
"You're all going to die" was one typical comment about the all-woman crew of the sailing ship Maiden, the first of its kind in the Whitbread round-the-world race. 30 years later, its captain Tracy Edwards, MBE reflects on the documentary MAIDEN and an act of will and teamwork that changed the world.
- "My mum always used to say, 'if you don't like the way the world looks, change it.'"
- The surprising role King Hussein of Jordan played in championing equality
- Women's freedom fight, then and now.
What's the hardest thing you've ever done? The thing everyone said was impossible, that you knew you had to do anyway, and that you doubted a thousand times while it was underway that you'd be able to see through to the end?
There's a good chance you can think of at least one example. And an even better chance it doesn't even come close in monumental, soul-smelting intensity to what Tracy Edwards put herself through back in 1989 to 1990, along with the all-female crew of her racing yacht Maiden. In that year, with the dismissive, derisive, mostly male eyes of the racing world upon them, this 9 member crew proved beyond a doubt that they could sail every bit as skillfully and fearlessly as their male competitors in the Whitbread Round-the-World-yacht-race.
They crossed the southern ocean from Uruguay to Australia, surviving icebergs and deadly waves to win the most difficult leg of the race, then beat their closest rival, move for move, in a tactical sprint to New Zealand. By the time they made it home to England, derision had long given way to admiring awe.
Tracy and her crew did a thing everyone thought was impossible. And in doing so they gave hope to countless others. The documentary film MAIDEN, out from Sony Pictures Classics, captures every leg of their incredible journey, and shows the full cost and rewards of Tracy's single-minded persistence.
Surprise conversation starters in this episode:
When a subculture like drag goes global, it's easy to forget the courage it took, and still takes, for so many people to live on the outside what they know they are on the inside. The maker of WIG and GAGA FIVE FOOT TWO on bravery, authenticity, and the eternal power of youth.
- "For a lot of those kids drag was more punk than punk. Ok, you could shave your head and put on a spike collar… or you could throw on a wig and heels and traipse around Times Square. That was brave. That was radical."
- Lady Gaga writes a hook and the whole world suddenly takes notice…I always thought of it as casting a spell. It's the closest thing to actual magic. Because imagine an incantation that you can just repeat for 3 minutes and it can grab the attention of the entire world."
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