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Did Michelangelo Hide Secret Messages in the Sistine Chapel’s Ceiling?
The painting measures 12,000 sq. ft. and includes over 300 life-like figures.
Visitors have marveled at the ceiling of the Sistine Chapel for over five hundred years. It draws millions of tourists annually and holds a special place in Christianity. Besides serving as the Pope’s private chapel, it’s also where a papal enclave takes place, should the pontiff pass on, and the need arise to elect a new one. The last one was in 2013.
At age 33, Michelangelo Buonarotti began the project. It was 1508. He finished in 1512. It wasn’t easy. He painted mostly standing up, not on his back as rumored. Craning his neck for long hours caused him terrible headaches, spasms, and muscle cramps. A mold bloom made him scrap the first draft. He scraped the whole ceiling and started over. The great master even had to create a system of scaffolding and platforms to allow him to complete the work.
Michelangelo was already a renowned sculptor whose David and Pieta caused shock waves across Europe. The resulting fame won him Pope Julius II’s commission. He saw himself as a sculptor and didn’t take painting seriously. He also thought the offer a plot perpetrated by his rivals, including fellow ninja turtle namesake, Raphael. This master of human anatomy ultimately “sculpted” his figures onto the chapel’s ceiling.
Behind the figure of God, the clouds form a brain. Neurosurgery. May 2010.
Without an initial plan on how to lay it out, the breadth and intricate detail of the final work is nothing short of spectacular. Measuring 12,000 sq. ft. (1,100 m²), it includes nine scenes from the Old Testament and more than 300 life-like figures. Their portrayals and natural anatomy are said to have inspired generations of artists and scientists. The panel “The Creation of Adam,” where God and Adam’s fingers nearly touch, is one of the most recognizable and reproduced artworks in human history.
Though it was the Renaissance, the church was extremely strict, and running afoul of the authorities proved dangerous for one’s life and freedom. That’s why it’s fascinating to consider that one of history’s greatest artists hid secret images in his most famous work. Sounds like something from a Dan Brown novel.
Consider "The Creation of Adam." In 1990, physician Frank Lynn Meshberger discovered something, a brain hidden in God’s figure where the robes of the angels flanking him intertwine. It’s believed to signify God’s bequeathing of intelligence to humankind.
The cloud behind God is also said to be in the shape of a brain. That’s not nearly all. One of the angel’s feet is two-cleft like a horse. But Dr. Meshberger believes if you look closer, you'll see the dual lobes of the pituitary gland. In 2000, a kidney specialist found a kidney hidden in another panel. That makes sense, as the artist suffered from kidney stones.
Note the smoothness on other figures, yet the bumpiness in God’s chin. Neurosurgery. May 2010.
A 2010 study uncovered another brain hidden in the panel, “The Separation of Light From Darkness.” It’s underneath God’s uplifted chin, within his neck. The brain stem, parts of the temporal lobe, the medulla, and other structures are clearly visible. This part of the body is actually smooth, which is why it stuck out.
The study conducted by medical illustrator Ian Suk and neurosurgeon Dr. Rafael J. Tamargo, was published in the journal Neurosurgery. The use of light and God’s short-cropped beard—which is usually portrayed as long and flowing, added weight to the argument, though some scholars remain dubious. The hairs in his beard even curl upward to reveal the image beneath.
The prodigy, starting in his teens, was known to dissect and study corpses in the church graveyard, which is why his sculptures were so life-like. The fact that he had mastered the portrayal of human anatomy makes the bumpiness of God’s neck stick out. “It’s an unusual view of the brainstem, from the bottom up. Most people wouldn’t recognize it unless they had extensively studied neuroanatomy,” Suk said.
In the same panel, God is in a red robe. Optic nerves are portrayed in the twists of his robe, around his waist, in the same way as is found in a Da Vinci illustration from 1487. The two men were contemporaries and kept tabs on one another. Look closely and you’ll notice a structure in his chest. Another unnatural roll of fabric there is the figure of a human spinal cord, according to Suk and Tamargo, both of Johns Hopkins. “It looks like the central nervous system may have been too good a motif to use only once,” Tamargo said.
A 2016 Brazilian study published in the journal Clinical Anatomy, found that in addition to internal organs, the artist may have also imbued the work with female anatomical structures. A ram’s skull that looks very much like a uterus appears eight times throughout the painting.
Women are depicted as brawny to project female strength. Yet, art historians counter that the reason is, he only studied male cadavers. They also posit that the eight triangles in the piece all facing downward symbolize the female anatomy and in this way, allude to the “sacred feminine.” This was a motif held in high esteem in Greco-Roman art, but which threatened the male-dominated church. Women also take frontstage in certain scenes, which is taken as a way of honoring women.
Was the use of hidden symbols the artist thumbing his nose at the church, an homage to science—glorifying the human mind, a recognition of the divine feminine, or offering some other cryptic meaning? Interpretations will spiral off for years to come. One wonders if we will ever uncover the mysteries behind these hidden organs or if the answers are lost to the cavernous maw of oblivion.
To learn more about secret messages in Renaissance art, click here:
A cave in France contains man’s earliest-known structures that had to be built by Neanderthals who were believed to be incapable of such things.
In a French cave deep underground, scientists have discovered what appear to be 176,000-year-old man-made structures. That's 150,000 years earlier than any that have been discovered anywhere before. And they could only have been built by Neanderthals, people who were never before considered capable of such a thing.
This is going to force a major shift in the way we see these early hominids. Researchers had thought that Neanderthals were profoundly primitive, and just barely human. This cave in France's Aveyron Valley changes all that: It's suddenly obvious that Neanderthals were not quite so unlike us.
According to The Atlantic, Bruniquel Cave was first explored in 1990 by Bruno Kowalsczewski, who was 15 at the time. He'd spent three years digging away at rubble covering a space through which his father felt air moving.
Some members of a local caving club managed to squeeze through the narrow, 30-meter long tunnel Kowalsczewski had dug to arrive in a passageway. They followed it past pools of water and old animal bones for over 330 meters before coming into a large chamber and a scene they had no reason to expect: Stalagmites that someone had broken into hundreds of small pieces, most of which were arranged into two rings—one roughly 6 meters across, and one 2 meters wide—with the remaining pieces stacked into one of four piles or leaning against the rings. There were also indications of fires and burnt bones.
Image source: Etienne FABRE - SSAC
A professional archeologist, Francois Rouzaud, determined with carbon dating that a burnt bear bone found in the chamber was 47,600 years old, which made the stalagmite structures older than any known cave painting. It also put the cave squarely within the age of the Neanderthals since they were the only humans in France that early. No one had suspected them of being capable of constructing complex forms or doing anything that far underground.
After Rouzard suddenly died in 1999, exploration at the cave stopped until life-long caver Sophie Verheyden, vacationing in the area, heard about it and decided to try and uranium-date the stalagmites inside.
The team she assembled eventually determined that the stalagmites had been broken up by people 176,000 years ago, way farther back even than Rouzard had supposed.
There weren't any signs that Neanderthals lived in the cave, so it's a mystery what they were up to down there. Verheyden thinks it's unlikely that a solitary artist created the tableaux, and so an organized group of skilled workers must've been involved. And “When you see such a structure so far into the cave, you think of something cultural or religious, but that's not proven," Verheyden told The Atlantic.
Whatever they built, the Bruniquel Cave reveals some big surprises about Neanderthals: They had fire, they built things, and likely used tools. Add this to recent discoveries that suggest they buried their dead, made art, and maybe even had language, and these mysterious proto-humans start looking a lot more familiar. A lot more like homo sapiens, and a lot more like distant cousins lost to history.
A recent study used fMRI to compare the brains of psychopathic criminals with a group of 100 well-functioning individuals, finding striking similarities.
- The study used psychological inventories to assess a group of violent criminals and healthy volunteers for psychopathy, and then examined how their brains responded to watching violent movie scenes.
- The fMRI results showed that the brains of healthy subjects who scored high in psychopathic traits reacted similarly as the psychopathic criminal group. Both of these groups also showed atrophy in brain regions involved in regulating emotion.
- The study adds complexity to common conceptions of what differentiates a psychopath from a "healthy" individual.
When considering what precisely makes someone a psychopath, the lines can be blurry.
Psychological research has shown that many people in society have some degree of malevolent personality traits, such as those described by the "dark triad": narcissism (entitled self-importance), Machiavellianism (strategic exploitation and deceit), and psychopathy (callousness and cynicism). But while people who score high in these traits are more likely to end up in prison, most of them are well functioning and don't engage in extreme antisocial behaviors.
Now, a new study published in Cerebral Cortex found that the brains of psychopathic criminals are structurally and functionally similar to many well-functioning, non-criminal individuals with psychopathic traits. The results suggest that psychopathy isn't a binary classification, but rather a "constellation" of personality traits that "vary in the non-incarcerated population with normal range of social functioning."
Assessing your inner psychopath
The researchers used functional magnetic resonance imaging (fMRI) to compare the brains of violent psychopathic criminals to those of healthy volunteers. All participants were assessed for psychopathy through commonly used inventories: the Hare Psychopathy Checklist-Revised and the Levenson Self-Report Psychopathy Scale.
Experimental design and sample stimuli. The subjects viewed a compilation of 137 movie clips with variable violent and nonviolent content.Nummenmaa et al.
Both groups watched a 26-minute-long medley of movie scenes that were selected to portray a "large variability of social and emotional content." Some scenes depicted intense violence. As participants watched the medley, fMRI recorded how various regions of their brains responded to the content.
The goal was to see whether the brains of psychopathic criminals looked and reacted similarly to the brains of healthy subjects who scored high in psychopathic traits. The results showed similar reactions: When both groups viewed violent scenes, the fMRI revealed strong reactions in the orbitofrontal cortex and anterior insula, brain regions associated with regulating emotion.
These similarities manifested as a positive association: The more psychopathic traits a healthy subject displayed, the more their brains responded like the criminal group. What's more, the fMRI revealed a similar association between psychopathic traits and brain structure, with those scoring high in psychopathy showing lower gray matter density in the orbitofrontal cortex and anterior insula.
There were some key differences between the groups, however. The researchers noted that the structural abnormalities in the healthy sample were mainly associated with primary psychopathic traits, which are: inclination to lie, lack of remorse, and callousness. Meanwhile, the functional responses of the healthy subjects were associated with secondary psychopathic traits: impulsivity, short temper, and low tolerance for frustration.
Overall, the study further illuminates some of the biological drivers of psychopathy, and it adds nuance to common conceptions of the differences between psychopathy and being "healthy."
Why do some psychopaths become criminals?
The million-dollar question remains unanswered: Why do some psychopaths end up in prison, while others (or, people who score high in psychopathic traits) lead well-functioning lives? The researchers couldn't give a definitive answer, but they did note that psychopathic criminals had lower connectivity within "key nodes of the social and emotional brain networks, including amygdala, insula, thalamus, and frontal pole."
"Thus, even though there are parallels in the regional responsiveness of the brain's affective circuit in the convicted psychopaths and well-functioning subjects with psychopathic traits, it is likely that the disrupted functional connectivity of this network is specific to criminal psychopathy."
Counterintuitively, directly combating misinformation online can spread it further. A different approach is needed.
- Like the coronavirus, engaging with misinformation can inadvertently cause it to spread.
- Social media has a business model based on getting users to spend increasing amounts of time on their platforms, which is why they are hesitant to remove engaging content.
- The best way to fight online misinformation is to drown it out with the truth.
A year ago, the Center for Countering Digital Hate warned of the parallel pandemics — the biological contagion of COVID-19 and the social contagion of misinformation, aiding the spread of the disease. Since the outbreak of COVID-19, anti-vaccine accounts have gained 10 million new social media followers, while we have witnessed arson attacks against 5G masts, hospital staff abused for treating COVID patients, and conspiracists addressing crowds of thousands.
Many have refused to follow guidance issued to control the spread of the virus, motivated by beliefs in falsehoods about its origins and effects. The reluctance we see in some to get the COVID vaccine is greater amongst those who rely on social media rather than traditional media for their information. In a pandemic, lies cost lives, and it has felt like a new conspiracy theory has sprung up online every day.
How we, as social media users, behave in response to misinformation can either enable or prevent it from being seen and believed by more people.
The rules are different online
Credit: Pool via Getty Images
If a colleague mentions in the office that Bill Gates planned the pandemic, or a friend at dinner tells the table that the COVID vaccine could make them infertile, the right thing to do is often to challenge their claims. We don't want anyone to be left believing these falsehoods.
But digital is different. The rules of physics online are not the same as they are in the offline world. We need new solutions for the problems we face online.
Now, imagine that in order to reply to your friend, you must first hand him a megaphone so that everyone within a five-block radius can hear what he has to say. It would do more damage than good, but this is essentially what we do when we engage with misinformation online.
Think about misinformation as being like the coronavirus — when we engage with it, we help to spread it to everyone else with whom we come into contact. If a public figure with a large following responds to a post containing misinformation, they ensure the post is seen by hundreds of thousands or even millions of people with one click. Social media algorithms also push content into more users' newsfeeds if it appears to be engaging, so lots of interactions from users with relatively small followings can still have unintended negative consequences.
The trend of people celebrating and posting photos of themselves or loved ones receiving the vaccine has been far more effective than any attempt to disprove a baseless claim about Bill Gates or 5G mobile technology.
Additionally, whereas we know our friend from the office or dinner, most of the misinformation we see online will come from strangers. They often will be from one of two groups — true believers, whose minds are made up, and professional propagandists, who profit from building large audiences online and selling them products (including false cures). Both of these groups use trolling tactics, that is, seeking to trigger people to respond in anger, thus helping them reach new audiences and thereby gaming the algorithm.
On the day the COVID vaccine was approved in the UK, anti-vaccine activists were able to provoke pro-vaccine voices into posting about thalidomide, exposing new audiences to a reason to distrust the medical establishment. Those who spread misinformation understand the rules of the game online; it's time those of us on the side of enlightenment values of truth and science did too.
How to fight online misinformation
Of course, it is much easier for social media companies to take on this issue than for us citizens. Research from the Center for Countering Digital Hate and Anti-Vax Watch last month found that 65% of anti-vaccine content on social media is linked to just twelve individuals and their organizations. Were the platforms to simply remove the accounts of these superspreaders, it would do a huge amount to reduce harmful misinformation.
The problem is that social media platforms are resistant to do so. These businesses have been built by constantly increasing the amount of time users spend on their platforms. Getting rid of the creators of engaging content that has millions of people hooked is antithetical to the business model. It will require intervention from governments to force tech companies to finally protect their users and society as a whole.
So, what can the rest of us do, while we await state regulation?
Instead of engaging, we should be outweighing the bad with the good. Every time you see a piece of harmful misinformation, share advice or information from a trusted source, like the WHO or BBC, on the same subject. The trend of people celebrating and posting photos of themselves or loved ones receiving the vaccine has been far more effective than any attempt to disprove a baseless claim about Bill Gates or 5G mobile technology. In the attention economy that governs tech platforms, drowning out is a better strategy than rebuttal.
Imran Ahmed is CEO of the Center for Countering Digital Hate.