This Summer I Became Addicted To The Wire

I became addicted to The Wire.

I know, I 'm late to the party. Very late, since the final episode aired over two years ago. But over the last few weeks I spent more time in front of the TV screen than I normally do in six months. This HBO drama that first aired ten years ago before airing its final season in 2006 has been on my list of shows to watch ever since I saw the video “100 Greatest Quotes From The Wire” on Youtube back in the spring.  The hot weather, combined with a certain reluctance to sit in front of a keyboard lately, made watching one show after another a seductive proposition.

I started by watching the fourth season, which was a very compelling mix of crime, politicians, corruption, and campaign trail shenanigans that made for a full bodied story. The race between Carcetti and Royce to be the next mayor of Baltimore seemed to mirror in many ways the political climate in Atlanta, another city with an unending line of black mayors for the last thirty years whose string of victories looked like they were about to come to an end last year. It wasn’t apparent until I went back and began to watch the series from the beginning that I understood how crucial the mayor’s race and its attendant ripples throughout the city’s administration was to stoking my interest in this critically acclaimed program.

If I had watched this from the beginning, the slow, gradual pace would have lost me by the third episode of the first season. I could have done without the second season, which revolved around the docks and the slow death of the Checkers Union. For the writers, the show may have been about Jimmy McNulty, the Irish Everyman, as a change agent and provocateur, but for me, it was about everything else. Beginning in media res, with no segues into backstories or storylines inserted solely to advance the plot, was the way this should have started. The writer and producer David Simon seems to have learned this himself—his latest HBO production, Treme, picks up the pace a lot faster, with much about the relationships and backgrounds of the main characters that is still unexplained.

The series was a welcome respite from the dog days of summer, each episode a series of pithy parallels between the operations of the drug business and police business that are rendered pitch perfect, as if the show was a stage play instead of a teledrama. The thing that held me was the dialogue—honest, gritty, and succinct. This was a writer’s show, exhibiting the kind of care with language that evokes the classic films of the thirties and forties. Who else but a writer would imagine giving the character Omar Little, a robber of drug dealers with Robin Hood tendencies, the kind of lines you normally see in one of Shakespeare’s tragedies?

“Man, money ain't got no owners. Only spenders.”    

“Well, you see, Mike-Mike thought he should keep that cocaine he was slingin’ and the money he was makin’ from slingin’ it. I thought otherwise.”

"Listen hear, 'Bay: you come at the king, you best not miss."

“I’ll take that money, and those drugs, good fellow.”

"See back in middle school an' all I used to love them myths. Stuff was deep. Truly.”

Quotes by Omar Little in The Wire

But there was more to the show than witty, well-crafted lines. The acting in most cases was superb, and then there were performances that may have been the best some of these actors have put in to date in their careers. My favorite actor was Robert Wisdom, who played Howard “Bunny” Colvin, a major whose forceful acting and sizeable build made you believe he was a Baltimore police major with thirty years under his belt. And although Wood Harris put in what should have been recognized as an award winning performance by one of these award shows for his portrayal of ghetto drug kingpin Avon Barksdale, it was Jamie Hector, playing the well organized, up and coming drug dealer Marlo Stanfield whose dead eye stare was the most mesmerizing in the end.

For me, after watching the whole thing, the fourth season is the charm. It does more in twelve episodes to humanize the people who live on the mean streets of Baltimore than any other part of the series. I don’t think there is any coincidence that David Mills, a soulful African American writer who had worked on Homicide:Life On The Streets, began writing for the show in the fourth season. Following the intense ghetto glorification of seasons one and three, I was more than ready to start rooting for the kids depicted in these streets to have half a chance to escape the madness. This was the first season to balance the powerlessness of the black men on the streets of Baltimore with the power wielded by the city’s black political establishment, which probably contributed more to a sense of realism for me, a resident of the Atlanta metro area, than anything else.  

As a writer who rarely watches anything on TV, it was nice to let guys who obviously knew their way around a keyboard tell me a story for a change.

​There are two kinds of failure – but only one is honorable

Malcolm Gladwell teaches "Get over yourself and get to work" for Big Think Edge.

Big Think Edge
  • Learn to recognize failure and know the big difference between panicking and choking.
  • At Big Think Edge, Malcolm Gladwell teaches how to check your inner critic and get clear on what failure is.
  • Subscribe to Big Think Edge before we launch on March 30 to get 20% off monthly and annual memberships.
Keep reading Show less

Why the ocean you know and love won’t exist in 50 years

Can sensitive coral reefs survive another human generation?

  • Coral reefs may not be able to survive another human decade because of the environmental stress we have placed on them, says author David Wallace-Wells. He posits that without meaningful changes to policies, the trend of them dying out, even in light of recent advances, will continue.
  • The World Wildlife Fund says that 60 percent of all vertebrate mammals have died since just 1970. On top of this, recent studies suggest that insect populations may have fallen by as much as 75 percent over the last few decades.
  • If it were not for our oceans, the planet would probably be already several degrees warmer than it is today due to the emissions we've expelled into the atmosphere.
Keep reading Show less

Why modern men are losing their testosterone

Research has shown that men today have less testosterone than they used to. What's happening?

Flickr user Tom Simpson
Sex & Relationships
  • Several studies have confirmed that testosterone counts in men are lower than what they used to be just a few decades ago.
  • While most men still have perfectly healthy testosterone levels, its reduction puts men at risk for many negative health outcomes.
  • The cause of this drop in testosterone isn't entirely clear, but evidence suggests that it is a multifaceted result of modern, industrialized life.
Keep reading Show less

Health care: Information tech must catch up to medical marvels

Michael Dowling, Northwell Health's CEO, believes we're entering the age of smart medicine.

Photo: Tom Werner / Getty Images
Sponsored by Northwell Health
  • The United States health care system has much room for improvement, and big tech may be laying the foundation for those improvements.
  • Technological progress in medicine is coming from two fronts: medical technology and information technology.
  • As information technology develops, patients will become active participants in their health care, and value-based care may become a reality.
Keep reading Show less