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How the Restored Raphael Frescoes Hang over Pope Benedict XVI’s Departure

When the College of Cardinals convenes next month in the Sistine Chapel to elect the successor to Pope Benedict XVI, Michelangelo’s majestic ceiling will hang over them while his Last Judgment passes silent judgment over their deliberations. But a different set of frescoes by a different Renaissance master also hang over the still-puzzling resignation of the pontiff. A conservation team recently completed the 30-year task of restoring Raphael’s Room of Heliodorus, so named for the fresco titled The Expulsion of Heliodorus from the Temple (shown above) and one of the private papal stanza. Pope Benedict XVI claims it is time for him to step down, but I doubt he timed his departure to coincide with the Raphael restoration’s completion. The coincidence, however, provides plenty of visual food for thought about the reign of the former Joseph Ratzinger and its enigmatic end.
Raphael began work on frescoes for the Room of Heliodorus and other papal stanza shortly after Michelangelo completed the ceiling frescoes for the Sistine Chapel. (You can take a virtual visit of the Room of Heliodorus here.) Legend holds that Raphael snuck into the chapel to peek at the frescoes and added a Michelangelo-esque portrait of Michelangelo himself to the near-complete School of Athens fresco in the Stanza della Segnatura, the first papal stanza Raphael began painting in. Michelangelo sits on the steps as a brooding Heraclitus in a bravura tribute from one master to another. Even if he didn’t continue to emulate Michelangelo’s brushwork style, Raphael continued to emulate Michelangelo’s new visual energy and humanist spirit. The frescoes of the Room of Heliodorus owe much to Michelangelo.
Sadly, Benedict XVI could have learned much from looking at and understanding the Renaissance artwork surrounding him every day of his papacy. The energy and humanism embedded in the imagery failed to impress on him a Pope John XXIII-esque appreciation for the world around him as being as much a creation of God as the world of the ancients. Even when Pope Benedict XVI broke down and joined the world of Twitter, he composed those tweets in Latin—an ironic failure to communicate with modern technology because of an attachment to a dead language and, perhaps, dead ideas. The Latin tweets eventually made their way into a variety of vulgate languages, but, as it always seemed the case with this pope, something—if not in meaning, at least in intent—was lost in translation.
The Room of Heliodorus hosted private audiences between the Pope and visiting diplomats. Therefore, Pope Julius II asked Raphael to work the theme of God’s protection of His church into the frescoes for the room. Now, when so many scandals threaten to dismantle the foundations of the Catholic Church, Raphael’s images of protection seem more relevant than ever before. The Pope (or at least Vatican officials) chose to put The Expulsion of Heliodorus from the Temple on the reverse of the 2011 Vatican 100 Euro Coin celebrating the seventh year of his papacy, so the image of a treasure protected by God’s action was present in his mind to some degree. What that “treasure” is and who God chooses to protect, however, might have been interpreted differently by Benedict.
The frescoes each show moments of miraculous rescue. The Map of Bolsena recounts an episode in 1263 when blood trickled from a consecrated host, thus divinely affirming the Catholic doctrine of transubstantiation—the moment when bread and wine become the body and blood of Christ. Angels bust the “first pope” out of prison in The Liberation of St. Peter. In The Encounter Between Leo the Great and Attila, the spirits of Saints Peter and Paul crash the real-life meeting between Pope Leo the Great and Attila the Hun in 452 AD and frighten “The Scourge of God” from invading Italy and ransacking Rome.
The room’s title fresco takes the theme of protecting treasure to a whole new level. Based on a story from 2 Maccabees, 3:21-28, The Expulsion of Heliodorus from the Temple shows a Syrian official named Heliodorus trying to claim the treasure of the Temple in Jerusalem for his boss, the Syrian King Seleucus IV Philopator. God answers the prayers of the priests and sends a heavenly horseman and two youths to thwart Heliodorus. From the far left side of the painting, Pope Julius II looks on the scene anachronistically. (Raphael inserted his own portrait on the far right wing of the work as a lasting “signature” and personal seal of approval.)
Imposing the theme of Heliodorus’ expulsion onto the present-day church begs the question of what the church’s “treasure” entails. Ask Benedict, and he might answer that the treasure lies in the long-held traditions and doctrines, which God protects through his representatives from the papacy down through the priesthood. Ask more forward-thinking Catholics, and they might answer that the treasure lies in the body of the Church, the people around the globe who trust in the goodness of the institution and feel betrayed not just by the various scandals, but also by the relentless and often heartless cover-up and often outright denial of those scandals’ existence. Is Benedict the protector in the painting? Or is his stepping down God’s way of protecting the church from Benedict and the fortifications against the future and transparency he built and reinforced to the end of his reign? Who’s the angel and who’s Heliodorus? The restoration of this fresco raises questions of interpretation as fresh as today but as ancient as the Old Testament.
The name Heliodorus means in Greek “Gift of the Sun.” Perhaps Pope Benedict XVI’s stepping down and the restoration of the Heliodorus frescoes are God’s “gift” of sunlight illuminating the real treasure of the church, which can be a vital and relevant part of the modern world, given the opportunity. If the College of Cardinals grow weary of staring at Michelangelos, maybe they should take a short walk and muse on these Raphaels and glean the lessons they hold.
[Image: Raphael. The Expulsion of Heliodorus from the Temple (pre-restoration), 1512-1514. Image source.]
Your body’s full of stuff you no longer need. Here's a list.
Evolution doesn't clean up after itself very well.
- An evolutionary biologist got people swapping ideas about our lingering vestigia.
- Basically, this is the stuff that served some evolutionary purpose at some point, but now is kind of, well, extra.
- Here are the six traits that inaugurated the fun.
The plica semilunaris
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NjgwMS9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTY3NDg5NTg1NX0.kdBYMvaEzvCiJjcLEPgnjII_KVtT9RMEwJFuXB68D8Q/img.png?width=980" id="59914" width="429" height="350" data-rm-shortcode-id="b11e4be64c5e1f58bf4417d8548bedc7" data-rm-shortcode-name="rebelmouse-image" />The human eye in alarming detail. Image source: Henry Gray / Wikimedia commons
<p>At the inner corner of our eyes, closest to the nasal ridge, is that little pink thing, which is probably what most of us call it, called the caruncula. Next to it is the plica semilunairs, and it's what's left of a third eyelid that used to — ready for this? — blink horizontally. It's supposed to have offered protection for our eyes, and some birds, reptiles, and fish have such a thing.</p>Palmaris longus
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NjgwNy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzMzQ1NjUwMn0.dVor41tO_NeLkGY9Tx46SwqhSVaA8HZQmQAp532xLxA/img.jpg?width=980" id="879be" width="1920" height="2560" data-rm-shortcode-id="4089a32ea9fbb1a0281db14332583ccd" data-rm-shortcode-name="rebelmouse-image" />Palmaris longus muscle. Image source: Wikimedia commons
<p> We don't have much need these days, at least most of us, to navigate from tree branch to tree branch. Still, about 86 percent of us still have the wrist muscle that used to help us do it. To see if you have it, place the back of you hand on a flat surface and touch your thumb to your pinkie. If you have a muscle that becomes visible in your wrist, that's the palmaris longus. If you don't, consider yourself more evolved (just joking).</p>Darwin's tubercle
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NjgxMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0ODUyNjA1MX0.8RuU-OSRf92wQpaPPJtvFreOVvicEwn39_jnbegiUOk/img.jpg?width=980" id="687a0" width="819" height="1072" data-rm-shortcode-id="ff5edf0a698e0681d11efde1d7872958" data-rm-shortcode-name="rebelmouse-image" />Darwin's tubercle. Image source: Wikimedia commons
<p> Yes, maybe the shell of you ear does feel like a dried apricot. Maybe not. But there's a ridge in that swirly structure that's a muscle which allowed us, at one point, to move our ears in the direction of interesting sounds. These days, we just turn our heads, but there it is.</p>Goosebumps
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NzMxNC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyNzEyNTc2Nn0.aVMa5fsKgiabW5vkr7BOvm2pmNKbLJF_50bwvd4aRo4/img.jpg?width=980" id="d8420" width="1440" height="960" data-rm-shortcode-id="8827e55511c8c3aed8c36d21b6541dbd" data-rm-shortcode-name="rebelmouse-image" />Goosebumps. Photo credit: Tyler Olson via Shutterstock
<p>It's not entirely clear what purpose made goosebumps worth retaining evolutionarily, but there are two circumstances in which they appear: fear and cold. For fear, they may have been a way of making body hair stand up so we'd appear larger to predators, much the way a cat's tail puffs up — numerous creatures exaggerate their size when threatened. In the cold, they may have trapped additional heat for warmth.</p>Tailbone
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NzMxNi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY3MzQwMjc3N30.nBGAfc_O9sgyK_lOUo_MHzP1vK-9kJpohLlj9ax1P8s/img.jpg?width=980" id="9a2f6" width="1440" height="1440" data-rm-shortcode-id="4fe28368d2ed6a91a4c928d4254cc02a" data-rm-shortcode-name="rebelmouse-image" />Coccyx.
Image source: Decade3d-anatomy online via Shutterstock
<p>Way back, we had tails that probably helped us balance upright, and was useful moving through trees. We still have the stump of one when we're embryos, from 4–6 weeks, and then the body mostly dissolves it during Weeks 6–8. What's left is the coccyx.</p>The palmar grasp reflex
<img class="rm-lazyloadable-image rm-shortcode" type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8xOTA5NzMyMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNjY0MDY5NX0.OSwReKLmNZkbAS12-AvRaxgCM7zyukjQUaG4vmhxTtM/img.jpg?width=980" id="8804c" width="1440" height="960" data-rm-shortcode-id="67542ee1c5a85807b0a7e63399e44575" data-rm-shortcode-name="rebelmouse-image" />Palmar reflex activated! Photo credit: Raul Luna on Flickr
<p> You've probably seen how non-human primate babies grab onto their parents' hands to be carried around. We used to do this, too. So still, if you touch your finger to a baby's palm, or if you touch the sole of their foot, the palmar grasp reflex will cause the hand or foot to try and close around your finger.</p>Other people's suggestions
<p>Amir's followers dove right in, offering both cool and questionable additions to her list. </p>Fangs?
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">Lower mouth plate behind your teeth. Some have protruding bone under the skin which is a throw back to large fangs. Almost like an upsidedown Sabre Tooth.</p>— neil crud (@neilcrud66) <a href="https://twitter.com/neilcrud66/status/1085606005000601600?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Hiccups
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">Sure: <a href="https://t.co/DjMZB1XidG">https://t.co/DjMZB1XidG</a></p>— Stephen Roughley (@SteBobRoughley) <a href="https://twitter.com/SteBobRoughley/status/1085529239556968448?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Hypnic jerk as you fall asleep
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">What about when you “jump” just as you’re drifting off to sleep, I heard that was a reflex to prevent falling from heights.</p>— Bann face (@thebanns) <a href="https://twitter.com/thebanns/status/1085554171879788545?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script> <p> This thing, often called the "alpha jerk" as you drop into alpha sleep, is properly called the hypnic jerk,. It may actually be a carryover from our arboreal days. The <a href="https://www.livescience.com/39225-why-people-twitch-falling-asleep.html" target="_blank" data-vivaldi-spatnav-clickable="1">hypothesis</a> is that you suddenly jerk awake to avoid falling out of your tree.</p>Nails screeching on a blackboard response?
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">Everyone hate the sound of fingernails on a blackboard. It's _speculated_ that this is a vestigial wiring in our head, because the sound is similar to the shrill warning call of a chimp. <a href="https://t.co/ReyZBy6XNN">https://t.co/ReyZBy6XNN</a></p>— Pet Rock (@eclogiter) <a href="https://twitter.com/eclogiter/status/1085587006258888706?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Ear hair
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">Ok what is Hair in the ears for? I think cuz as we get older it filters out the BS.</p>— Sarah21 (@mimix3) <a href="https://twitter.com/mimix3/status/1085684393593561088?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Nervous laughter
<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">You may be onto something. Tooth-bearing with the jaw clenched is generally recognized as a signal of submission or non-threatening in primates. Involuntary smiling or laughing in tense situations might have signaled that you weren’t a threat.</p>— Jager Tusk (@JagerTusk) <a href="https://twitter.com/JagerTusk/status/1085316201104912384?ref_src=twsrc%5Etfw">January 15, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Um, yipes.
<blockquote class="twitter-tweet" data-conversation="none" data-lang="en"><p lang="en" dir="ltr">Sometimes it feels like my big toe should be on the side of my foot, was that ever a thing?</p>— B033? K@($ (@whimbrel17) <a href="https://twitter.com/whimbrel17/status/1085559016011563009?ref_src=twsrc%5Etfw">January 16, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Godzilla vs. Kong: A morphologist chooses the real winner
Ultimately, this is a fight between a giant reptile and a giant primate.
The 2021 film “Godzilla vs. Kong" pits the two most iconic movie monsters of all time against each other. And fans are now picking sides.
How do you tell reality from a deepfake?
The more you see them, the better you get at spotting the signs.
Ancient cave artists were getting high on hypoxia
A new study says the reason cave paintings are in such remote caverns was the artists' search for transcendence.
