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On February 8, 1915, at Clune’s Auditorium in Los Angeles, California, D. W. Griffith’s Birth of a Nation premiered. The fledgling art form of film would never be the same, especially in America, which even half a century after the end of the Civil War struggled to come to terms with race. Now, a century after Birth of a Nation’s premier, America still struggles not only with race, but also with how race plays out on the silver screen. For good and ill, Birth of a Nation marks the beginning of the first 100 years of the American Cinema—epically beautiful, yet often racially ugly.
“Don’t just stand there, let’s get to it. Strike a pose, there’s nothing to it,” Madonna lied and “Vogue”-ed way back in 1990. Contrary to popular opinion, posing is hard work, made even harder by the requirement to look effortless. The reigning “Queen of Pose,” Canadian supermodel Coco Rocha has been clocked at 160 different poses per minute and viral videoed striking 50 poses in 30 seconds. When photographer Steven Sebring approached Rocha back in 2010 with the idea of a project involving one model striking a thousand different poses captured using Sebring’s revolutionary, 360-degree photographic technology, it seemed a match made in modeling heaven. Study of Pose: 1,000 Poses by Coco Rocha tests the limits of expression by the human form while capitalizing on the latest in technology to produce no less than a new manifesto on posing the human body as an object to be both admired and accepted for all its truth and beauty.  
CAMBRIDGE – There is nothing better than fuzzy language to wreak havoc – or facilitate consensus. Ludwig Wittgenstein argued that philosophical puzzles are really just a consequence of the misuse […]
Your first philosophers: Marcus Aurelius, Epictetus, Seneca, and one strange new face. Why the first books people read about Stoicism should be by one of these guys. On Stoicism Graduation season […]
America is much like the Hotel California: “You can check out anytime you like, but you can never leave.”
The appeal of the British drama/high-class soap opera Downton Abbey for American audiences has long been a subject of great speculation. Simon Schama called the show “cultural necrophilia” for bringing […]
Getting risk wrong leads to dangers all by itself, and we will remain vulnerable to these mistakes until we let go of our naïve post-Enlightenment faith in reason and accept that risk perception is inescapably an affective system, not just a matter of rationally figuring out the facts. 
So that’s it: the presidential debate season is over. Romney won the first, Obama took the second and…who won the third? Some say the San Francisco Giants, playing opposite the […]