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Whereas European countries were once able to tap into their history for subjects for opera, America’s never succeeded in doing the same. That problem comes in part from the decline in opera as a popular, public art form, but also perhaps from the lack of operatically epic subjects to be found in American history. Now, composer David T. Little hopes to create a modern American opera with JFK, a 2-act, 2-hour opera focusing on the life of President John F. Kennedy, whose life and death became defining moments not only for the Baby Boom generation, but also, many would suggest, the hinge upon which all American history turns for the last half century. Set to premier in 2016, JFK as a work-in-progress already raises important questions about how opera (and art in general) can approach history.
The great American poet Wallace Stevens, author of “The Emperor of Ice-Cream” and many other famous works, was also a longtime insurance executive. While researching him for my previous post, I decided […]
Well, you can’t miss the new film Lincoln.  Here’s the big reason:  Daniel Day-Lewis’ Lincoln is pretty much WHO we will think of when imagining the person “Father Abraham” from now […]
Over at The Stone, Christy Wampole diagnoses the malaise of the post-millennial age and suggests a few ways “How to Live Without Irony.” It is a sign of Wampole’s misdiagnosis […]
As Obama and Romney attack each other for waging “class warfare,” a new study from the Public Religion Research Institute shows how little anyone really knows about the largest block […]