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Respectability politics makes us comfortable. It hoists us up on our high horses, and takes away our responsibility for the way we treat other people. It puts the burden on the marginalized person to adjust their appearance or behavior to earn respect from the majority.
Words of wisdom from A. Philip Randolph: “Men often hate each other because they fear each other; they fear each other because they do not know each other; they do not know each other because they cannot communicate; they cannot communicate because they are separated.” 
This isn’t the Matrix. Should you wish to face the ugly reality, there’s no red pill you can swallow.
On October 3, 1948, at 3:50 pm, Peter Blume finished his epic painting, years in the making, titled The Rock (shown above). “After a turbulent decade in which Peter Blume embarked on false starts, endured debilitating anxiety, experienced self-doubt, and found his faith in the creative process renewed,” Robert Cozzolino writes in the catalog to the new exhibition Peter Blume: Nature and Metamorphosis, finishing The Rock must have been a great relief. Blume recorded that date and time the way many record the birth of their children, for The Rock was his precious baby, but completing it marked a rebirth of sorts for Blume as a different kind of artist. Shaped by political and artistic currents of the first half of the 20th century, Blume emerges as a difficult to categorize artist, but also as a fascinating visionary who struggled to paint a personal reality clinging to the foundation of hope.
            What do you know about fracking, the process of injecting water and sand and chemicals under high pressure into deep rock, cracking the rock open and allowing recovery of […]
            It’s been a bad few weeks for RadioPhobia, the powerful fear of radiation that far exceeds the actual risk. From three different places come new examples of this version […]