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In a world where the future of seemingly everything is online, museums — those repositories of the past — seem to resist the internet’s full digital embrace. It’s a question that’s increasingly crossed my mind thanks to a series of unrelated stories that share two common questions — how do people use museums now and how will they in the future? For every digital breakthrough enticing us to step on the virtual gas comes a cautionary tale reminding us to pump those virtual brakes. Ultimately, the online revolution is coming to museums, but is the future of museums really online?
Anyone who has seen James Cameron’s 1984 film The Terminator remembers “seeing” through the eyes of the killer android sent into the past as it scans its surroundings for clothes, weapons, and, eventually, its target. German filmmaker Harun Farocki would later call those pictures “operational images”—the machine-made and machine-used pictures of the world that threatened to supplant not just how people see, but people period.   
“Never doubt that a small groupof thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.” – Margaret Mead After tragic events, as most recently evident in […]
A hybrid potato that can reduce food waste and eliminate a suspected carcinogen in cooked potato products would seem to be an environmentalist’s dream. But the hybrid was created using biotechnology to blend potato genes from different varieties, so opponents of genetically modified food are fighting to keep this potentially beneficial product from ever reaching consumers.
Imperative CEO Aaron Hurst describes we our evolving from an information economy to an economy of purpose. Hurst is the author of The Purpose Economy: How Your Desire for Impact, Personal Growth and Community Is Changing the World