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When the Whitney Museum of American Art decided to stage in 1948 their first exhibition of a living American artist, they chose someone who wasn’t even an American citizen, but only legally could become one just before his death. Painter Yasuo Kuniyoshi came to America as a teenager and immersed himself in American culture and art while rising to the top of his profession, all while facing discrimination based on his Japanese heritage.  The exhibition The Artistic Journey of Yasuo Kuniyoshi, which runs through August 30, 2015 at the Smithsonian American Art Museum in Washington, DC, unveils an amazing story of an artist who lived between two worlds — East and West — while bridging them in his art that not only synthesized different traditions, but also mirrored the joys and cruelties of them.
With the May 1st grand opening to the public of its new building in Manhattan’s Meatpacking District, the Whitney Museum launches a new era not only in the New York City art scene, but also, possibly, in the very world of museums. Thanks to a Renzo Piano-designed new building built, as Whitney Director Adam D. Weinberg put it, “from the inside out” to serve the interests of the art and the patrons first, the new Whitney and its classic collection of American art stretching back to 1900 has drawn excited raves and exasperated rants from critics. Their inaugural exhibition, America Is Hard to See, gathers together long-loved classic works with rarely seen newcomers to create a paradox of old and new to mirror the many paradoxes of the American history the art embodies and critiques by turns. This shock of the new (and old) is the must-see art event of the year.