TranscriptQuestion: Do you agree with people who say your best work came while you were at New York magazine?
Michael Wolff: I don't know why that would be. I produced some very good work at New York magazine. And if they say that, it's probably because I produced more work at New York magazine. So I was writing a column every week at New York, at Vanity Fair I write a column once a month. But I rather think that I'm producing my best work now at Newser where I write a column every day. It's bulk... is ultimately the real currency in our profession.
Question: You failed at your attempt to purchase the magazine. What would have happened had you succeeded?
Michael Wolff: I think I probably would have gone bankrupt as most magazines seem to be going. When that happened, I actually thought that I was going to be able to buy New York magazine right up until the moment I lost it and so my feelings afterwards were deeply conflicted. I loved New York magazine; it was a place that I felt particularly at home but I had a feeling of also of immense relief that this quixotic enterprise of buying the magazine would not end up as my terrible fate.
Question: Do you like what New York magazine has become?
Michael Wolff: One of the things about having worked at certain places is that it becomes very hard after you stop working at them to continue a relationship, to continue even reading them. So I must confess that I don't read New York magazine anymore. It's like a lover spurned.