Dick Cavett was the host of “The Dick Cavett Show” and the co-author of two books, “Cavett” (1974) and “Eye on Cavett” (1983). He has appeared on Broadway in “Otherwise Engaged,” “Into the Woods” and as narrator in “The Rocky Horror Show,” and has made guest appearances in movies and on TV shows including “Forrest Gump” and “The Simpsons.” He currently operates a blog for the “Opinionator” section of the New York Times. Mr. Cavett lives in New York City and Montauk, N.Y.
Question: How did you get into the talk show business?
Dick Cavett: Who me? You know, I've never been entirely sure, except I wrote for them, Johnny and Jack and Merv and others, and my highest ambition was to be a guest. That maybe I get to the point where I could be the one they, "Now, here's our friend, Dick Cavett, who's been on before," but ABC had a pilot of five half-hours called “The Star” and “The Story,” and they got Van Johnson and told part of his life each of these five episodes and submitted this as a pilot, and they hated the show, but they liked the young man who hosted it, that was myself. And so they thought, let's try him in a daytime talk format, and they did. And that became a nighttime talk show format, Rob. And that's why I say, "When you're smiling!" There's a stand up comic on your staff and knows that many crap comics who have no opening or closing for their acts come out singing, When You're Smiling. And then they end with, "She's so bowlegged, when she sits around the house, she sits around the house. And that's why I say, When You're Smiling," and gets off. Sorry, you didn't need that, did you?
Question: How were you able to balance intelligence with comedy?
Dick Cavett: Well, I had to fight the intellectual label when I started in television, because, first of all, it's not going to help you commercially, and also, it wasn't particularly true of me. I mean, if anybody thought I was an intellectual, they probably had never really seen one. Maybe because I didn't know any better than to think you were supposed to read the guest's books before you had them on. And I remember plowing through 400-page books to have a guest on for 15 minutes or less and somebody pointed out, "You know, you didn't use all that homework and you don't need it." I'm intelligent, but I'm not an intellectual, and I may have, because I was in the Ivy League, I might have had a better liberal arts education than a lot of people, but I don't think of myself as extraordinary intelligent or intellectual, just reasonably so.
Question: How did you deliver jokes that do not come off as mechanical?
Dick Cavett: Deliver jokes so they're not mechanical, if you deliver them so they're mechanical, you're in the wrong business, you're born with what it is to make a comic and if you don't have a good ear and you don't have an instinctual way to say the line, and I mean an instinctive way to say the line, I guess, an intellectual would have gotten the word right--I don't know. Nobody can learn it, there have been shisters who have, and con-artists who have had comedy schools where they teach you how to delivery a punch line, that's preying on the un-talented and taking their money. If you're good, you'll do it right and you'll make it.
Question: Is it easier to write jokes for yourself or others?
Dick Cavett: It's horrible to try to write jokes for yourself, unless you're just writing jokes. But if you're trying to--I thought it would be easy because I wrote for people, and thought, "Why don't I just write for myself?" And then you're faced with, who am I? On stage as a comic. I'm not the guy with the enormous comedy nose or the big feet or the bad posture or the whatever, a physical comic has certain things. Durante's nose, Durante had a lot more than a nose, he had a fabulous personality that came right out and got you in the audience. You'll have to put an asterisk for your younger viewers as to who Durante was, I don't have time to tell them.
The whole thing is inborn, really. Those who are destined to make it were born with it, and probably will, unless they have bad breaks or alcoholism or nervous breakdowns from the pressures of being in show business.
Question: What is the best way to prepare for an interview?
Dick Cavett: Well, let me attack one word in your question and it will include the best advice I ever got. When I was about to do a talk show, the great legendary boss of mine, Jack Paar, to me the most electric, exciting, neurotic, strange, thrilling personality ever to appear on television, he had finished by then and I was about to do a show and he said, he called up and he said, "Kid, let me give you some advice. Oh, there's my stammer back," he said, "But anyway, forget it. Don't do interviews. Interviews are clipboard and Q & A and David Frost and crap like that. Just don't do interviews, make it a conversation. There's the secret." Now, it's all right for press people to do interviews because they want to get the ten facts and so forth, but I just wrote something about this and I was thinking, you could do an entire show following Jack's advice without ever that dreadful phrase, "Let me ask you this," which seems to be required of everyone on CNN, MSNBC, and almost everywhere else. Whenever they say, "Let me ask you this," I want to yell, "Who's stopping you? Just ask it."