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We are Big Idea Hunters…

We live in a time of information abundance, which far too many of us see as information overload. With the sum total of human knowledge, past and present, at our fingertips, we’re faced with a crisis of attention: which ideas should we engage with, and why? Big Think is an evolving roadmap to the best thinking on the planet — the ideas that can help you think flexibly and act decisively in a multivariate world.

A word about Big Ideas and Themes — The architecture of Big Think

Big ideas are lenses for envisioning the future. Every article and video on bigthink.com and on our learning platforms is based on an emerging “big idea” that is significant, widely relevant, and actionable. We’re sifting the noise for the questions and insights that have the power to change all of our lives, for decades to come. For example, reverse-engineering is a big idea in that the concept is increasingly useful across multiple disciplines, from education to nanotechnology.

Themes are the seven broad umbrellas under which we organize the hundreds of big ideas that populate Big Think. They include New World Order, Earth and Beyond, 21st Century Living, Going Mental, Extreme Biology, Power and Influence, and Inventing the Future.

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James Marsh: When you encounter a story that you personally are gripped by and are surprised by and have elements of transgression, subversion, rebellion, you have to trust that reaction.  It’s an instinctive reaction to something that excites you and immediately begins to stimulate other thoughts, other ideas, images, insights.

Curiosity is a big, big part of what I do, if I’m curious about something and I get a story that I think I’m kind of, you know, intrigued by or captivated by.  What other questions am I going to have?  Will those questions sustain two years of inquiry?  And that’s the basis under which I proceed on a film is when I feel that I’ve got so many questions I need to answer that I’ve got to go ahead and do this.

The best example would be the film “Man on Wire.”  Immediately when I encountered that story I was overjoyed and had a whole set of emotions that just came throbbing in when I read Philippe’s book, his own account of his walk upon the wire itself.  I remember walking around the room in a state of fear, my palms being wet, just by the description of being up on a tightrope at that height in those circumstances.  And I remember that reaction was one that I trusted, and I think we all know who work in the realm of ideas when something is irresistible.  When it’s irresistible you can’t second guess that impulse. 

Going back to your first impulse can keep you going and keep you honest when everything else has got kind of complicated and difficult and there are politics and there are the usual, you know, kind of conflicts you have in any human activity, particularly filmmaking, it would seem.


Follow Your Gut

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