The Magic of Comedy

Dick Cavett

Talk Show Host & New York Times Blogger

Both Johnny Carson and Dick Cavett started out as young magicians and maintained the craft throughout their careers. So which late-night legend was better?

In Arts & Culture

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Resurgence

Paintbrushes
March 21, 2010 — 11:37 AM

A Glorious Waste Of Time

Kris Broughton

We were in the middle of a conversation around the table at a restaurant when our first year art student made a comment about her classes. "You might be a better artist than you know," I said. "You’ve just got to put the time in. They say it takes 10,000 hours to become an expert at something." She looked at me with the kind of skepticism only a teenager could muster, her eyes widening in disbelief. Read more

Picture This

P1060131
March 20, 2010 — 11:05 PM

Artistic Vision: EyeWriter Technology Allows Paralyzed Artist to Draw

Bob Duggan

FutureEverything last week awarded their first FutureEverything Award to The EyeWriter, a new eye-tracking technology (pictured) that allows artists to “draw” with their eyes when unable to do so with their hands. “Art is a tool of empowerment and social change, and I consider myself blessed to be able to create and use my work to promote health reform, bring awareness about ALS and help others,” says artist Tony Quan, also know as “Tempt 1,” who uses The EyeWriter to continue to create art after Amyotrophic Lateral Sclerosis, also known as Lou Gehrig’s Disease, left him unable to use his hands. This technology allows artists to create even after their bodies are unable to realize what they see in their heads and gives hope to anyone limited by some physical condition. Read more

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Latest Ideas

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Finding a Voice When Liberals Had None

Jules Feiffer

How the legendary cartoonist got started at the Village Voice, and why his work struck a nerve in a decade when “liberals didn’t understand that they had First Amendment rights.” Read More

March 22, 2010

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“I Was Enraged All the Time”

Jules Feiffer

Back when MLK Jr. was caricatured as a violent radical and the U.S. was plunging into Vietnam, cartoonist Jules Feiffer vented his anger with an editorial freedom that few publications would permit today. Read More

March 22, 2010

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How to Draw Cartoons With a Pointed Stick

Jules Feiffer

Forget fancy pens: in his early career, the award-winning cartoonist used sharpened dowels from the local meat market. Read More

March 22, 2010

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Anarchist! Sexual Rebel! Children’s Book Artist?

Jules Feiffer

How did a cartoonist “trying to overthrow the government” end up creating both the sex drama “Carnal Knowledge” and the illustrations for kid-lit classic “The Phantom Tollbooth”? Read More

March 22, 2010

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“Another Golden Age of Comics”

Jules Feiffer

Comics now are every bit as vibrant as they were in their Depression heyday. And yet for the artists, cartooning still “ain’t a living.” Read More

March 22, 2010

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Satire in a “Scary, Wonderful Country”

Jules Feiffer

The role of political cartoonists has largely been usurped by Stewart and Colbert. But what should satirists of any stripe target these days? Read More

March 22, 2010

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That “Crazy, Anarchic Spirit”? New York’s Still Got It

Jules Feiffer

Whatever NYC loses to gentrification, the cartoonist argues, it maintains the same vitality it had throughout the whole 20th century. Read More

March 22, 2010

Feiffer

You Don't Need a Fancy Pen to Be a Great Cartoonist

Big Think Editors

All you need, if you're Jules Feiffer, is a sharp stick and an even sharper satirical eye. Before he became a Putlizer Prize winner, an Academy Award winner, and one of America's most beloved children's book illustrators, Feiffer was a very young, very angry political cartoonist who found his style by drawing with pointed wooden dowels from the local meat market. Read More

March 22, 2010

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Happy Holy Day of Obligation!

Big Think Editors

Irish author and actor Malachy McCourt's memories of St. Patrick's Day are gloomy, rainy and awful. That's how it was in Limerick, Ireland, where he was raised. In the U.S., there became spirited parades coupled with solid beer-drinking. And then what happened? Ireland copied the fun. The only difference? Crowds in the U.S. are homophobic, whereas, in Ireland, "the home of the whole bloody thing," as McCourt says, gay people get prizes and awards for being the most colorful group in the parades. Read More

March 16, 2010

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