Form follows social function

Braille-Inspired Design for The Blind

Braillerubik

Design, at its best, improves our quality of life, an ehancer of the senses and an enabler of our best possible selves. Nowhere is its power more palpable than in instances where a deficit of the senses impairs that quality of life. Last week, we looked at how designers are revolutionizing corrective eyewear for those with imperfect vision. Today, we're looking at an even more onerous design challenge: Helping those with no vision at all.

No conversation about design for the blind can begin without recognizing that the Braille system is indisputably one of design's greatest claims to good. Consequently, many of the design-driven approaches to blindness incorporate Braille to make everything from utilitarian necessities to playful diversions accessible for the blind. To mark the 200th birthday of Louis Braille last year, The Netherlands' national post service launched a series of postage stamps by graphic designer Rene Put, featuring typographic abstractions alongside embossed Braille text, making them legible for both the sighted and the blind. The project was a winner at the Dutch National Awards in November.

From German designer Konstantin Datz comes a Braille Rubik's Cube, a lovely celebration of making a cultural classic as inclusive as possible.

Along the same lines of making playtime an equal-opportunity endeavor, Tactile Mind, an erotic book for the blind, offers 17 raised images of nudes for adults. Creator Lisa Murphy was inspired by the realization that the blind have been generally left out of a culture saturated by sexual imagery -- a point further illustrated by the fact that between 1970 and 1985, Playboy, the quintessential epitome of lascivious image with a side of vastly ignored text, published a Braille version in partnership with The National Library Service for the Blind and Physically Handicapped (NLS), but the magazine only included the text of the non-Braille version, omitting the images altogether in a bout of tragicomic irony.

And in 2008, designers Son Seunghee, Lee Sukyung and Kim Hyunsoo won a Red Dot award for their Braille Polaroid Camera, which allows blind people to to capture and print Braille images of the world around them using a built-in Braille printer.

While these projects do offer an interesting direction of design thinking as a tool for enriching the day-to-day quality of being and pure life enjoyment of the blind, the central caveat is that many of them remain at the concept stage and never reach a mass market. Meanwhile, ambitious nonprofit efforts are taking tangible steps towards liberalizing content for the blind -- just last week, the Internet Archive launched a new service bringing more than 1 million books to the visually impaired. And if design is to truly become a change agent, it has learn to be as grounded in policymaking and advocacy as it is in conceptual aestheticism.

Maria Popova is the editor of Brain Pickings, a curated inventory of miscellaneous interestingness. She writes for Wired UK, GOOD Magazine and Huffington Post, and spends a shameful amount of time on Twitter.

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Silvia Valentini
Hello! I write from Sao Paulo, Brazil, where I edit, in portuguese, the Point to Point Bulletin (Boletim Ponto a Ponto). The monthly edition transcribe to braille articles from newspaper and magazines, on health,turism, animals, philosophy, environment, arts, culture, among other matters. As a graphic artist, I insist in the availability of images and illustration for visually impaired persons; therefore monthly one of the articles include an embossed illustration. The Point to Point Bulletin is free distributed in Brazil, Portugal and Africa (of portuguese language). The edition is part of the project I have created in 1994, the Point to Point Pen Pall Club that congregate almost 400 persons from 40 countries, exchanging braille letters. Silvia Valentini - projetopontoaponto@terra.com.br
bob martinengo
http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=11673 Design Meets Disability by Graham Pullin Eyeglasses have been transformed from medical necessity to fashion accessory. This revolution has come about through embracing the design culture of the fashion industry. Why shouldn't design sensibilities also be applied to hearing aids, prosthetic limbs, and communication aids? In return, disability can provoke radical new directions in mainstream design. Charles and Ray Eames's iconic furniture was inspired by a molded plywood leg splint that they designed for injured and disabled servicemen. Designers today could be similarly inspired by disability. In Design Meets Disability, Graham Pullin shows us how design and disability can inspire each other. In the Eameses' work there was a healthy tension between cut-to-the-chase problem solving and more playful explorations. Pullin offers examples of how design can meet disability today. Why, he asks, shouldn't hearing aids be as fashionable as eyewear? What new forms of braille signage might proliferate if designers kept both sighted and visually impaired people in mind? Can simple designs avoid the need for complicated accessibility features? Can such emerging design methods as "experience prototyping" and "critical design" complement clinical trials? Pullin also presents a series of interviews with leading designers about specific disability design projects, including stepstools for people with restricted growth, prosthetic legs (and whether they can be both honest and beautifully designed), and text-to-speech technology with tone of voice. When design meets disability, the diversity of complementary, even contradictory, approaches can enrich each field. About the Author Graham Pullin is a lecturer in Interactive Media Design at the University of Dundee. He has worked as a senior designer at IDEO, one of the world's leading design consultancies, and at the Bath Institute of Medical Engineering, a prominent rehabilitation engineering center in the United Kingdom. He has received international design awards for design for disability and for mainstream products.

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