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It may be productive to address the secondary question, (or perhaps primary question), “if distinct” before moving on to the broader question regarding behavior of this question. Both ethics and aesthetics involve a process of valuation, but I find it helpful to posit that ethics is concerned with what may be termed as logical processing, while aesthetics is more engaged with affect. With this in mind, then an underlying question, with regard to behavior, is how the object with which one is interacting is valued. I also find it helpful to engage the distinction in value of “use” and “intrinsic” when considering the process of valuation of both ethics and aesthetics.What becomes interesting, and I think relevant to some of the responses to your question, is how we, as human beings, value other members of our species. I think that an answer to this question, and the subsequent valuation of the object in question, is a solid link between aesthetics and ethics. I think we are also returned to question the validity of categorizing “ethics” as a logical process and “aesthetics” as an emotional response. It may not be possible to separate affect from logic, (a relation that Antonio D’Amasio and his team have been investigating for some time.) In which case, what exactly is it that does “govern our choice of how to behave or what to say?” Should we be ‘governed’ by ‘logical’ analysis of any particular social context, or instinctual actions from internal emotional states? And on the heels of that question, should we allow ourselves to be ‘governed’ by anything, or should we be actively engaging faculties of valuation that we have developed throughout our life times? So, that’s my two cents, any thoughts? … Read More
February 26, 2008 |
I'm here, today.

colleen fitzgerald commented on the Humanities on February 15, 2008, 4:18 PM
I think the idea of 'intrinsic value,' as opposed to 'worth value,' may need to be considered in discussing the importance of the study of the Humanities. Just think about the name for a moment. An aspect of the arts that seems to be often overlooked is the aesthetic affect. By this I mean, the ability for an artifact to affect, to have emotional affect, on a person engaged with it. After recently going back into "Tamburlaine," I was, again, truly impressed with the complexity expressed about the relationship between obligation to the human aspect of the individual and the consequences of actions an individual chooses. What most impressed me was that the play was able to evoke nuanced thoughts on the nature of empathy and obligation, and how those elements related to a right fierce warrior. Is that not worth the commitment of a single semester?