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My name is Calvin Trillin

Calvin Trillin is a journalist, humorist and novelist. Best known for his humorous writing about food and eating, he is also the author of several books of fiction, nonfiction essays, comic verse and plenty of more serious journalism. Trillin was born in Kansas City, Missouri in 1935. He received his BA from Yale University, where he was chair of the Yale Daily News, in 1957. In 1963, after a serving in the U.S. Army and then working at Time magazine for a short time, Trillin joined the staff of The New Yorker magazine, where his reporting on racial integration at the University of Georgia eventually developed into his first book, An Education in Georgia: Charlayne Hunter, Hamilton Holmes and the Integration of the University of Georgia. Trillin’s 1967-1982 column “U.S. Journal” for The New Yorker documented events throughout the nation, both funny and serious; since 1984, he has written a series of longer, narrative pieces under the title “American Chronicles.”

Trillin is also a longtime contributor to The Nation magazine – is, in fact, the single most prolific contributor to that magazine to date. From 1978-1980 he penned a column called “Variation”; from 1984-1990 another called “Uncivil Liberties”; and from 1990 to the present a weekly one called “Deadline Poem” consisting of humorous poems about current events.

Calvin Trillin’s most recent novel is Deciding the Next Decider: The 2008 Presidential Race in Rhyme (Nov. 2008)

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My Ideas

Re: If you had $100 billion to give away, how would you spend it?
Re: If you had $100 billion to give away, how would you spend it?
The money would go to Bill Gates's foundation, Trillin says.
Re: What role should journalists play in the 2008 election?
Re: What role should journalists play in the 2008 election?
Reporters tend to be more interested in process, Trillin says.

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Ideas by Calvin

Re: If you had $100 billion to give away, how would you spend it?
Re: What should be the big issues of the 2008 presidential election?

Re: What should be the big issues of the 2008 presidential election?

Why do journalists keep telling us who's going to win or lose? Is that really the point? Transcript:Iraq. I mean I think healthcare, but I think there’s been so much demagoguery on healthcare. And that’s another way we’re falling behind, in fact. I mean if you look at the, say, American automobile manufacturers, their cost . . . I mean why is somebody’s healthcare tied to his job on the assembly line? I mean it’s absurd. But if you do something else, the talk is socialized medicine. But there is, you know, 46 million people I think I read last week, who have no insurance – no coverage at all – and actually don’t go to a hospital. Or as the President said, they can go to an emergency room. It would be interesting for him to try that one of these days – go into one of these emergency rooms late at night when your kid’s sick. So I think that in those sort of things I think that should be a big issue, but I’m not sure that it will be. Everybody’s been burnt on it I think.

Re: What is America's place in the world?

Re: What is America's place in the world?

We still haven't figured out what to do with ourselves in the wake of the Cold War.

Re: What impact does your writing have?

Re: What impact does your writing have?

Reporters who think that they're actually affecting things are following the path to madness or pomposity.

Re: What sparks your creativity?

Re: What sparks your creativity?

The New Yorker's Joseph Mitchell has always been an inspiration of craft; Peter De Vries has been an inspiration for humor.

Transcript: No. Well the mortgage. I mean I think . . . No. You mean do I get up in the morning and think, “Wow. I see the end of that rainbow, and there’s something telling me, ‘Write the great American story about parking’”? No. No I don’t have that.

Re: Do you have a creative process?

Re: Do you have a creative process?

At some point most writers realize they sound the way they're supposed to sound, Trillin says.

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